Musings on Daily Life in the Ancient and Early Medieval Mediterranean By Sarah E. Bond
For a long time now, I have been interested in the ways in which digital humanities projects can be used to amplify, to visualize, and to give agency to underrepresented groups. Put another way: How can digital humanities contribute to social justice? One of the shining examples of this type of DH project is the... Continue Reading →
Pinned to the board above my desk in my office is an Apollo 13 postcard that reads: "Failure is not an option." This was the collective motto of the mission, despite the fact that, well, NASA had failed a lot during the course of the space race (1957-1975). I thought about this postcard a lot after... Continue Reading →
A few weeks ago, I began to ponder the ways in which Greek and Roman art is presented within the modern museum context--and to ruminate on whether we put a bit too much emphasis on the perceived front of a piece of art rather than the side or back of it. This led to a... Continue Reading →
This week over at Hyperallergic, I wrote about new exhibits at the British Library and the Victoria & Albert Museum which both engage with the cultural heritage of ancient and medieval Ethiopia. An examination of the Ethiopian cultural heritage held in the libraries and museums of Britain can perhaps demonstrate a seminal point about digitization and... Continue Reading →
This week over at Hyperallergic, Sean Burrus and I published a co-written article on the use of variegated marbles (which have particolored and mottled veins that give it color) in order to orientalize and illustrate Roman ideas of the "barbarian." As per usual, I like to take to my own blog to discuss new essays, since it is... Continue Reading →
Over at Hyperallergic this week, I discuss the proposed release of over 2,000 Hieroglyphs into Unicode by 2020 or 2021. If you are a classicist then you know how important the Unicode movement has been in standardizing the visualization of Greek texts in particular. But the non-profit Unicode Consortium encodes many other ancient and endangered... Continue Reading →
Over at Hyperallergic this week, I had an essay come out that was about four months in the making. It discusses how and why museums should use labels--those little tituli to the side--in order to engage with America's history of slavery. The piece was inspired by a trip to the Worcester Art Museum (Worcester, MA) over the December... Continue Reading →
My latest piece for Hyperallergic addresses the long history of red caps as symbols of politics, ethnicity, and identity. From Mithras to the Smurfs, there is a rich history of using identifying hats. This article was also an opportunity for me to post some photos of Mithras I have taken over the years--and to include a few... Continue Reading →
This post was originally published at the SCS Classics blog on March 30, 2018. In the 6th century CE, a Scythian monk named Dionysius Exiguus was sent to Rome. Dionysius may have taken the monastic nickname of "the small" (exiguus), but his humility sheathed both his incredible abilities as a translator of Greek and Latin and... Continue Reading →
Over at Hyperallergic, I have contributed a new article on the removal of books from the fine arts library at UT-Austin and the planned movement of books from the libraries at UW-Madison [Article Here]. The tales of these two libraries is an increasingly familiar one, wherein thousands of books are deaccessioned or moved into off-site... Continue Reading →
History From Below 