A Reversed Perspective: Looking at Greek and Roman Art from Behind(s)

A few weeks ago, I began to ponder the ways in which Greek and Roman art is presented within the modern museum context–and to ruminate on whether we put a bit too much emphasis on the perceived front of a piece of art rather than the side or back of it. This led to aContinue reading “A Reversed Perspective: Looking at Greek and Roman Art from Behind(s)”

Digitization ≠ Repatriation: When Digital Humanities Provides Access But Not Restitution

This week over at Hyperallergic, I wrote about new exhibits at the British Library and the Victoria & Albert Museum which both engage with the cultural heritage of ancient and medieval Ethiopia. An examination of the Ethiopian cultural heritage held in the libraries and museums of Britain can perhaps demonstrate a seminal point about digitization andContinue reading “Digitization ≠ Repatriation: When Digital Humanities Provides Access But Not Restitution”

The Color of the Other: Importing Multi-colored Marble and Roman Constructions of the “Barbarian”

This week over at Hyperallergic, Sean Burrus and I published a co-written article on the use of variegated marbles (which have particolored and mottled veins that give it color) in order to orientalize and illustrate Roman ideas of the “barbarian.” As per usual, I like to take to my own blog to discuss new essays, since it isContinue reading “The Color of the Other: Importing Multi-colored Marble and Roman Constructions of the “Barbarian””