Musings on Daily Life in the Ancient and Early Medieval Mediterranean By Sarah E. Bond
My latest for Hyperallergic looks at the new, alleged gladiator cemetery found near the amphitheater in the town of Anazarbus. I have written on gladiators quite a bit over the years, since my PhD research focused so heavily on the legal stigma of infamia. Gladiators were one of many professions who endured this infamy in... Continue Reading →
Σαβεῖνοςζωγράφος ἐτῶνκϛʹ.εὐψύχως Sabinus, a painter, 26 years old, good luck! Fayoum 1:40=PHI 215881, Aueris (Hawāra) — Rom. Imp. period — SB 1.682. On a red marble epitaph from Hawara now in the Cairo Museum is the commemoration of a young painter living in Roman Egypt named Sabinus. We have a number of epitaphs and mentions... Continue Reading →
Originally known as the Flavian Amphitheater, the Roman Colosseum is oftentimes directly associated with the death of Christians; however, as Keith Hopkins and Mary Beard point to in The Colosseum, there is no authentic evidence from the first century to support the notion that Christians were ever martyred within it: The fact is that there are no... Continue Reading →
Within ancient theater, the phrase 'deus ex machina' actually referred to a crane called a μηχανή (the Greek term from whence we get our "machine") used to suspend and then lower individuals onto the stage during performances of tragic plays, particularly those written by Sophocles and Euripides. In nine of his plays, an epiphanic deus was lowered... Continue Reading →
Over at Hyperallergic this week, I had an essay come out that was about four months in the making. It discusses how and why museums should use labels--those little tituli to the side--in order to engage with America's history of slavery. The piece was inspired by a trip to the Worcester Art Museum (Worcester, MA) over the December... Continue Reading →
Those who read this blog are keenly aware of how much I think about and study color. This certainly extends to the production of ancient dyes used to paint frescoes, to dye wool and linen, and even those pigments used for makeup. And, yes, I do also think about what the absence of color says.... Continue Reading →
Ponticuli etiamferruminati sustinebant glires melle ac papavere sparsos. "There were also dormice rolled in honey and poppy-seed, and supported on little bridges soldered to the plate" --Petronius, Satyricon, 31 (trans. Heseltine). Look, I know you may think mice are cute. I, myself, raised adorable hamsters as a child and thus have sympathy for all rodents. But we... Continue Reading →
I don't tend to get overly personal on this blog very often. Although I adore social media (clearly), the first person singular is an uncomfortable voice when I address the public as a historian. I have always used banter about ancient or medieval history as a kind of protective tortoise shell that makes me seem extroverted. However, I... Continue Reading →
Over on my Forbes blog, I have been writing about the history of iced beverages, particularly wine and beer. As many of you know, I have a keen interest in the history of brewing, and I will be writing more about this in the coming weeks. Right now, enjoy this ice cold survey of cellars,... Continue Reading →
When excited ticket holders enter the various sports venues erected in Qatar for the World Cup in 2022, they will likely not be told about the lives of the people who helped to build these impressive structures. In 2014 alone, a Nepalese migrant died on the average of once every two days while working on... Continue Reading →
History From Below 