Sarah E. Bond
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open access
Signs of the Times: Ancient Symbols Reused by Hate Groups
Art and Graphics
,
diversity
,
hyperallergic
,
open access
,
The State of the Field
,
Uncategorized
Redesigning WOAH: Women of Ancient History
digital humanities
,
diversity
,
open access
,
The State of the Field
,
Uncategorized
‘We Regret to Inform You’: Success, Failure, and the Shadow C.V.
digital humanities
,
open access
,
The State of the Field
,
Uncategorized
Digitization ≠ Repatriation: When Digital Humanities Provides Access But Not Restitution
Art and Graphics
,
digital humanities
,
open access
,
reading
,
Uncategorized
Teaching Ancient, Early Christian, And Medieval History in the Era of #MeToo: A Short Bibliography
bibliographies
,
diversity
,
open access
,
reading
,
The State of the Field
,
Uncategorized
,
women
Replacing the Squeeze? Teaching Classical Epigraphy With 3D Models
epigraphy
,
open access
,
reading
,
text
,
The State of the Field
,
Uncategorized
Yes, Women Do Study Military History
open access
,
The State of the Field
,
Uncategorized
,
women
Eating Nocturnal Fruits: A Round-Up Of My Favorite Ancient and Medieval Posts of 2017
Art and Graphics
,
color
,
diversity
,
epigraphy
,
food
,
Forbes
,
maps
,
open access
,
reading
,
text
,
The State of the Field
,
Uncategorized
,
women
Mapping Racism And Assessing the Success of the Digital Humanities
Forbes
,
maps
,
open access
,
Uncategorized
A Short Bibliography For The Study Of Eunuchs, Marginality & Gender in The Pre-Modern World
open access
,
slavery
,
The State of the Field
,
Uncategorized
,
women
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