Sarah E. Bond

Sarah E. Bond

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classics

  • The Use and Abuse of History: A Syllabus

    The Use and Abuse of History: A Syllabus

    Uncategorized
  • What Are the Best Classics Books for Children?

    What Are the Best Classics Books for Children?

    Art and Graphics, bibliographies, open access, text
  • Pro Publica: A Public Classics Workshop

    Pro Publica: A Public Classics Workshop

    digital humanities, hyperallergic, open access, The State of the Field, Uncategorized
  • Reacting to the Racist Events At the SCS-AIA Annual Meeting in San Diego: A Roundup

    Reacting to the Racist Events At the SCS-AIA Annual Meeting in San Diego: A Roundup

    The State of the Field
  • Book Review: Not All Dead White Men

    Book Review: Not All Dead White Men

    open access, reading, The State of the Field, Uncategorized, women
  • The Gospel of Unicode: Digital Love Letter(s) and Art Through Numbers

    The Gospel of Unicode: Digital Love Letter(s) and Art Through Numbers

    Art and Graphics, digital humanities, hyperallergic, text, The State of the Field, Uncategorized
  • Replacing the Squeeze? Teaching Classical Epigraphy With 3D Models

    Replacing the Squeeze? Teaching Classical Epigraphy With 3D Models

    epigraphy, open access, reading, text, The State of the Field, Uncategorized
  • Yes, Women Do Study Military History

    Yes, Women Do Study Military History

    open access, The State of the Field, Uncategorized, women
  • Eating Nocturnal Fruits: A Round-Up Of My Favorite Ancient and Medieval Posts of 2017

    Eating Nocturnal Fruits: A Round-Up Of My Favorite Ancient and Medieval Posts of 2017

    Art and Graphics, color, diversity, epigraphy, food, Forbes, maps, open access, reading, text, The State of the Field, Uncategorized, women
  • The Argument Made By The Absence: On Whiteness, Polychromy, And Diversity In Classics

    The Argument Made By The Absence: On Whiteness, Polychromy, And Diversity In Classics

    Art and Graphics, color, diversity, Uncategorized
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Sarah E. Bond

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