Sarah E. Bond

Sarah E. Bond

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hyperallergic

  • The Story of the Black King Among The Magi

    The Story of the Black King Among The Magi

    Uncategorized
  • The Color of the Other: Importing Multi-colored Marble and Roman Constructions of the “Barbarian”

    The Color of the Other: Importing Multi-colored Marble and Roman Constructions of the “Barbarian”

    Art and Graphics, color, diversity, hyperallergic, Uncategorized
  • The Gospel of Unicode: Digital Love Letter(s) and Art Through Numbers

    The Gospel of Unicode: Digital Love Letter(s) and Art Through Numbers

    Art and Graphics, digital humanities, hyperallergic, text, The State of the Field, Uncategorized
  • Labeling Ancient and Modern Slavery within Museums

    Labeling Ancient and Modern Slavery within Museums

    Art and Graphics, color, digital humanities, diversity, hyperallergic, Labor and Work, Uncategorized
  • Before MAGA: Mithras, Phrygian Caps, and the Politics of Headwear

    Before MAGA: Mithras, Phrygian Caps, and the Politics of Headwear

    ancient clothing, Art and Graphics, color, diversity, hyperallergic, Uncategorized, women
  • How Can Libraries and Digital Humanities Spaces Co-Exist?

    How Can Libraries and Digital Humanities Spaces Co-Exist?

    Art and Graphics, color, reading, text, Uncategorized
  • Purple, Indigo, And The Slave Labor That Produced Expensive Dyes

    Purple, Indigo, And The Slave Labor That Produced Expensive Dyes

    ancient clothing, Art and Graphics, color, Labor and Work, slavery, Uncategorized

Sarah E. Bond

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