Sarah E. Bond

Sarah E. Bond

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manuscripts

  • Deus Ex Machina: Depicting Cranes and Pulleys in the Ancient World

    Deus Ex Machina: Depicting Cranes and Pulleys in the Ancient World

    Art and Graphics, hyperallergic, Labor and Work, Uncategorized
  • Digitization ≠ Repatriation: When Digital Humanities Provides Access But Not Restitution

    Digitization ≠ Repatriation: When Digital Humanities Provides Access But Not Restitution

    Art and Graphics, digital humanities, open access, reading, Uncategorized
  • The Gospel of Unicode: Digital Love Letter(s) and Art Through Numbers

    The Gospel of Unicode: Digital Love Letter(s) and Art Through Numbers

    Art and Graphics, digital humanities, hyperallergic, text, The State of the Field, Uncategorized
  • The Itinerarium Egeriae: Mapping Egeria’s Pilgrimage On Candlemas

    The Itinerarium Egeriae: Mapping Egeria’s Pilgrimage On Candlemas

    maps, reading, text, The State of the Field, Uncategorized, women
  • The Midas Touch: Alchemy in the Medieval and Early Modern Eras

    The Midas Touch: Alchemy in the Medieval and Early Modern Eras

    Art and Graphics, color, Forbes, Uncategorized

Sarah E. Bond

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