Sarah E. Bond

Sarah E. Bond

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sarahemilybond

  • At the Copa: Women, Clothing, and Color Codes in Roman Taverns

    At the Copa: Women, Clothing, and Color Codes in Roman Taverns

    ancient clothing, Art and Graphics, color, diversity, hyperallergic, Uncategorized, women
  • Ancient 3D Models Before Digital Modeling

    Ancient 3D Models Before Digital Modeling

    Art and Graphics, digital humanities, hyperallergic, open access, The State of the Field, Uncategorized
  • Podcast #12: Thrown Together: Potters, Painters, and Ceramic Production with Sanchita Balachandran

    Podcast #12: Thrown Together: Potters, Painters, and Ceramic Production with Sanchita Balachandran

    Uncategorized
  • The Use and Abuse of History: A Syllabus

    The Use and Abuse of History: A Syllabus

    Uncategorized
  • What Are the Best Classics Books for Children?

    What Are the Best Classics Books for Children?

    Art and Graphics, bibliographies, open access, text
  • Working Together to Transcribe Ancient Documents During COVID-19

    Working Together to Transcribe Ancient Documents During COVID-19

    digital humanities, epigraphy, open access, reading, The State of the Field
  • The Story of the Black King Among The Magi

    The Story of the Black King Among The Magi

    Uncategorized
  • “A Global Antiquity”: The Association of Ancient Historians Meeting 2020

    “A Global Antiquity”: The Association of Ancient Historians Meeting 2020

    Uncategorized
  • In Libris Libertas: Open Access Monographs in Classics, Ancient History, Art History, and Archaeology

    In Libris Libertas: Open Access Monographs in Classics, Ancient History, Art History, and Archaeology

    digital humanities, open access, reading, Uncategorized
  • Consider the Anus Radish: Etymologies, Adultery, and the Defense of the Microhistory

    Consider the Anus Radish: Etymologies, Adultery, and the Defense of the Microhistory

    Art and Graphics, open access, reading, text, The State of the Field, Uncategorized
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Sarah E. Bond

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