Sarah E. Bond

sarahemilybond

Signs of the Times: Ancient Symbols Reused by Hate Groups

Art and Graphics, diversity, hyperallergic, open access, The State of the Field, Uncategorized
Redesigning WOAH: Women of Ancient History

digital humanities, diversity, open access, The State of the Field, Uncategorized
‘We Regret to Inform You’: Success, Failure, and the Shadow C.V.

digital humanities, open access, The State of the Field, Uncategorized
A Reversed Perspective: Looking at Greek and Roman Art from Behind(s)

ancient clothing, Art and Graphics, color, digital humanities, The State of the Field, Uncategorized, women
Digitization ≠ Repatriation: When Digital Humanities Provides Access But Not Restitution

Art and Graphics, digital humanities, open access, reading, Uncategorized
The Color of the Other: Importing Multi-colored Marble and Roman Constructions of the “Barbarian”

Art and Graphics, color, diversity, hyperallergic, Uncategorized
The Gospel of Unicode: Digital Love Letter(s) and Art Through Numbers

Art and Graphics, digital humanities, hyperallergic, text, The State of the Field, Uncategorized
Labeling Ancient and Modern Slavery within Museums

Art and Graphics, color, digital humanities, diversity, hyperallergic, Labor and Work, Uncategorized
Before MAGA: Mithras, Phrygian Caps, and the Politics of Headwear

ancient clothing, Art and Graphics, color, diversity, hyperallergic, Uncategorized, women
Anno Domini: Computational Analysis, Antisemitism, and the Early Christian Debate Over Easter

Art and Graphics, epigraphy, reading, text, Uncategorized