Sarah E. Bond
Posts
Digital Projects
Curriculum Vitae
Pasts Imperfect
Strike
Facebook
X
Instagram
reading
Pretty as a Pictor: Painters in the Roman Mediterranean
Art and Graphics
,
color
,
epigraphy
,
Labor and Work
,
reading
,
women
Curious about the Beginning and End of the Olympics?
reading
Following the Stylus Manual: Roman everyday writing equipment
Art and Graphics
,
digital humanities
,
open access
,
reading
,
text
A Red Letter Way: Color, Writing, and Reading in Antiquity and the Middle Ages
Art and Graphics
,
reading
,
text
,
Uncategorized
Working Together to Transcribe Ancient Documents During COVID-19
digital humanities
,
epigraphy
,
open access
,
reading
,
The State of the Field
In Libris Libertas: Open Access Monographs in Classics, Ancient History, Art History, and Archaeology
digital humanities
,
open access
,
reading
,
Uncategorized
Consider the Anus Radish: Etymologies, Adultery, and the Defense of the Microhistory
Art and Graphics
,
open access
,
reading
,
text
,
The State of the Field
,
Uncategorized
The Art of the Logographer: Ghostwriting from Antiquity to Trump
reading
,
Uncategorized
Building the Iron Gates of Alexander: The Migrant Caravan & Geographies of Fear
diversity
,
Eurasian Manuscripts
,
hyperallergic
,
maps
,
reading
,
Uncategorized
Book Review: Not All Dead White Men
open access
,
reading
,
The State of the Field
,
Uncategorized
,
women
1
2
3
4
Next Page
Subscribe
Subscribed
Sarah E. Bond
Join 3,316 other subscribers
Sign me up
Already have a WordPress.com account?
Log in now.
Sarah E. Bond
Subscribe
Subscribed
Sign up
Log in
Report this content
View site in Reader
Manage subscriptions
Collapse this bar
Sarah E. Bond 