Sarah E. Bond
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Digitization ≠ Repatriation: When Digital Humanities Provides Access But Not Restitution
Art and Graphics
,
digital humanities
,
open access
,
reading
,
Uncategorized
Anno Domini: Computational Analysis, Antisemitism, and the Early Christian Debate Over Easter
Art and Graphics
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epigraphy
,
reading
,
text
,
Uncategorized
How Can Libraries and Digital Humanities Spaces Co-Exist?
Art and Graphics
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color
,
reading
,
text
,
Uncategorized
Teaching Ancient, Early Christian, And Medieval History in the Era of #MeToo: A Short Bibliography
bibliographies
,
diversity
,
open access
,
reading
,
The State of the Field
,
Uncategorized
,
women
Replacing the Squeeze? Teaching Classical Epigraphy With 3D Models
epigraphy
,
open access
,
reading
,
text
,
The State of the Field
,
Uncategorized
Eating Nocturnal Fruits: A Round-Up Of My Favorite Ancient and Medieval Posts of 2017
Art and Graphics
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color
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diversity
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epigraphy
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food
,
Forbes
,
maps
,
open access
,
reading
,
text
,
The State of the Field
,
Uncategorized
,
women
Were Pagan Temples All Smashed Or Just Converted Into Christian Churches?
Art and Graphics
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color
,
Forbes
,
maps
,
reading
,
The State of the Field
,
Uncategorized
Hold My Mead: A Bibliography For Historians Hitting Back At White Supremacy
Art and Graphics
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color
,
diversity
,
Forbes
,
reading
,
The State of the Field
,
Uncategorized
,
women
Digital Palmyra: Resources for Researching the Ancient City
Art and Graphics
,
color
,
diversity
,
Forbes
,
maps
,
open access
,
reading
,
text
,
Uncategorized
,
women
Legitimizing The Blog: On Reading, Citing & Archiving Blogposts
Forbes
,
open access
,
reading
,
text
,
The State of the Field
,
Uncategorized
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