Sarah E. Bond
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Following the Stylus Manual: Roman everyday writing equipment
Art and Graphics
,
digital humanities
,
open access
,
reading
,
text
A Red Letter Way: Color, Writing, and Reading in Antiquity and the Middle Ages
Art and Graphics
,
reading
,
text
,
Uncategorized
What Are the Best Classics Books for Children?
Art and Graphics
,
bibliographies
,
open access
,
text
Consider the Anus Radish: Etymologies, Adultery, and the Defense of the Microhistory
Art and Graphics
,
open access
,
reading
,
text
,
The State of the Field
,
Uncategorized
The Gospel of Unicode: Digital Love Letter(s) and Art Through Numbers
Art and Graphics
,
digital humanities
,
hyperallergic
,
text
,
The State of the Field
,
Uncategorized
Anno Domini: Computational Analysis, Antisemitism, and the Early Christian Debate Over Easter
Art and Graphics
,
epigraphy
,
reading
,
text
,
Uncategorized
How Can Libraries and Digital Humanities Spaces Co-Exist?
Art and Graphics
,
color
,
reading
,
text
,
Uncategorized
Replacing the Squeeze? Teaching Classical Epigraphy With 3D Models
epigraphy
,
open access
,
reading
,
text
,
The State of the Field
,
Uncategorized
Eating Nocturnal Fruits: A Round-Up Of My Favorite Ancient and Medieval Posts of 2017
Art and Graphics
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color
,
diversity
,
epigraphy
,
food
,
Forbes
,
maps
,
open access
,
reading
,
text
,
The State of the Field
,
Uncategorized
,
women
Digital Palmyra: Resources for Researching the Ancient City
Art and Graphics
,
color
,
diversity
,
Forbes
,
maps
,
open access
,
reading
,
text
,
Uncategorized
,
women
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