Sarah E. Bond

The State of the Field

Signs of the Times: Ancient Symbols Reused by Hate Groups

Art and Graphics, diversity, hyperallergic, open access, The State of the Field, Uncategorized
Redesigning WOAH: Women of Ancient History

digital humanities, diversity, open access, The State of the Field, Uncategorized
‘We Regret to Inform You’: Success, Failure, and the Shadow C.V.

digital humanities, open access, The State of the Field, Uncategorized
A Reversed Perspective: Looking at Greek and Roman Art from Behind(s)

ancient clothing, Art and Graphics, color, digital humanities, The State of the Field, Uncategorized, women
The Gospel of Unicode: Digital Love Letter(s) and Art Through Numbers

Art and Graphics, digital humanities, hyperallergic, text, The State of the Field, Uncategorized
Teaching Ancient, Early Christian, And Medieval History in the Era of #MeToo: A Short Bibliography

bibliographies, diversity, open access, reading, The State of the Field, Uncategorized, women
Replacing the Squeeze? Teaching Classical Epigraphy With 3D Models

epigraphy, open access, reading, text, The State of the Field, Uncategorized
Yes, Women Do Study Military History

open access, The State of the Field, Uncategorized, women
Eating Nocturnal Fruits: A Round-Up Of My Favorite Ancient and Medieval Posts of 2017

Art and Graphics, color, diversity, epigraphy, food, Forbes, maps, open access, reading, text, The State of the Field, Uncategorized, women
Were Pagan Temples All Smashed Or Just Converted Into Christian Churches?

Art and Graphics, color, Forbes, maps, reading, The State of the Field, Uncategorized