Sarah E. Bond
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Pasts Imperfect
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“A Global Antiquity”: The Association of Ancient Historians Meeting 2020
Uncategorized
In Libris Libertas: Open Access Monographs in Classics, Ancient History, Art History, and Archaeology
digital humanities
,
open access
,
reading
,
Uncategorized
Consider the Anus Radish: Etymologies, Adultery, and the Defense of the Microhistory
Art and Graphics
,
open access
,
reading
,
text
,
The State of the Field
,
Uncategorized
Through the Eyes of Ruby: Discovering Color and Trade in ‘The World Between Empires’
Art and Graphics
,
color
,
digital humanities
,
diversity
,
hyperallergic
,
Uncategorized
The Jewish Colosseum: Revising the Memory of Rome’s Flavian Amphitheater
epigraphy
,
Labor and Work
,
Uncategorized
Pro Publica: A Public Classics Workshop
digital humanities
,
hyperallergic
,
open access
,
The State of the Field
,
Uncategorized
The Art of the Logographer: Ghostwriting from Antiquity to Trump
reading
,
Uncategorized
My Statement on the ‘Future of Classics’ Panel and the Aftermath
The State of the Field
,
Uncategorized
,
women
Deus Ex Machina: Depicting Cranes and Pulleys in the Ancient World
Art and Graphics
,
hyperallergic
,
Labor and Work
,
Uncategorized
Building the Iron Gates of Alexander: The Migrant Caravan & Geographies of Fear
diversity
,
Eurasian Manuscripts
,
hyperallergic
,
maps
,
reading
,
Uncategorized
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Sarah E. Bond 