Book Review: Not All Dead White Men

Over on Ancient Jew Review, I have a review of Donna Zuckerberg’s new book, Not All Dead White Men.  The review was certainly … More

Taking a Sapphic Stanza: Papyri, Digital Humanities, and Reclaiming the Work of Ancient Women

This semester, I am teaching our department’s Archaic to Classical Greek Survey. I specialize in late antique Roman history and … More

Signs of the Times: Ancient Symbols Reused by Hate Groups

For the past year and half, I have written extensively about the appropriation of ancient symbols, texts, and material culture … More

Redesigning WOAH: Women of Ancient History

For a long time now, I have been interested in the ways in which digital humanities projects can be used … More

‘We Regret to Inform You’: Success, Failure, and the Shadow C.V.

Pinned to the board above my desk in my office is an Apollo 13 postcard that reads: “Failure is not … More

A Reversed Perspective: Looking at Greek and Roman Art from Behind(s)

A few weeks ago, I began to ponder the ways in which Greek and Roman art is presented within the … More

Digitization ≠ Repatriation: When Digital Humanities Provides Access But Not Restitution

This week over at Hyperallergic, I wrote about new exhibits at the British Library and the Victoria & Albert Museum which … More

The Color of the Other: Importing Multi-colored Marble and Roman Constructions of the “Barbarian”

This week over at Hyperallergic, Sean Burrus and I published a co-written article on the use of variegated marbles (which have particolored … More

The Gospel of Unicode: Digital Love Letter(s) and Art Through Numbers

Over at Hyperallergic this week, I discuss the proposed release of over 2,000 Hieroglyphs into Unicode by 2020 or 2021.  … More

Labeling Ancient and Modern Slavery within Museums

Over at Hyperallergic this week, I had an essay come out that was about four months in the making. It … More