Sarah E. Bond
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ancient history
Strike: Labor, Unions, and Resistance in the Roman Empire
Uncategorized
The Jewish Colosseum: Revising the Memory of Rome’s Flavian Amphitheater
epigraphy
,
Labor and Work
,
Uncategorized
‘We Regret to Inform You’: Success, Failure, and the Shadow C.V.
digital humanities
,
open access
,
The State of the Field
,
Uncategorized
The Color of the Other: Importing Multi-colored Marble and Roman Constructions of the “Barbarian”
Art and Graphics
,
color
,
diversity
,
hyperallergic
,
Uncategorized
Before MAGA: Mithras, Phrygian Caps, and the Politics of Headwear
ancient clothing
,
Art and Graphics
,
color
,
diversity
,
hyperallergic
,
Uncategorized
,
women
Teaching Ancient, Early Christian, And Medieval History in the Era of #MeToo: A Short Bibliography
bibliographies
,
diversity
,
open access
,
reading
,
The State of the Field
,
Uncategorized
,
women
Replacing the Squeeze? Teaching Classical Epigraphy With 3D Models
epigraphy
,
open access
,
reading
,
text
,
The State of the Field
,
Uncategorized
Yes, Women Do Study Military History
open access
,
The State of the Field
,
Uncategorized
,
women
Eating Nocturnal Fruits: A Round-Up Of My Favorite Ancient and Medieval Posts of 2017
Art and Graphics
,
color
,
diversity
,
epigraphy
,
food
,
Forbes
,
maps
,
open access
,
reading
,
text
,
The State of the Field
,
Uncategorized
,
women
Purple, Indigo, And The Slave Labor That Produced Expensive Dyes
ancient clothing
,
Art and Graphics
,
color
,
Labor and Work
,
slavery
,
Uncategorized
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