Sarah E. Bond

Sarah E. Bond

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medieval

  • Deus Ex Machina: Depicting Cranes and Pulleys in the Ancient World

    Deus Ex Machina: Depicting Cranes and Pulleys in the Ancient World

    Art and Graphics, hyperallergic, Labor and Work, Uncategorized
  • Teaching Ancient, Early Christian, And Medieval History in the Era of #MeToo: A Short Bibliography

    Teaching Ancient, Early Christian, And Medieval History in the Era of #MeToo: A Short Bibliography

    bibliographies, diversity, open access, reading, The State of the Field, Uncategorized, women
  • Eating Nocturnal Fruits: A Round-Up Of My Favorite Ancient and Medieval Posts of 2017

    Eating Nocturnal Fruits: A Round-Up Of My Favorite Ancient and Medieval Posts of 2017

    Art and Graphics, color, diversity, epigraphy, food, Forbes, maps, open access, reading, text, The State of the Field, Uncategorized, women
  • A Short Bibliography For The Study Of Eunuchs, Marginality & Gender in The Pre-Modern World

    A Short Bibliography For The Study Of Eunuchs, Marginality & Gender in The Pre-Modern World

    open access, slavery, The State of the Field, Uncategorized, women
  • ‘Pie Zeses’: Toasting To A New Year

    ‘Pie Zeses’: Toasting To A New Year

    food, Forbes, Uncategorized, women
  • The Midas Touch: Alchemy in the Medieval and Early Modern Eras

    The Midas Touch: Alchemy in the Medieval and Early Modern Eras

    Art and Graphics, color, Forbes, Uncategorized
  • A Short History of Demons, Exorcism, And Possessed Women

    A Short History of Demons, Exorcism, And Possessed Women

    Forbes, Uncategorized

Sarah E. Bond

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