Last week, Candida Moss and I were lucky enough to catch the tail end of The World between Empires: Art and Identity in the Ancient Middle East, an exhibition which opened March 18 and closes on June 23, 2019 at the Metropolitan Museum of Art in New York City. The 190 objects within the exhibition acquired from... Continue Reading →
A Reversed Perspective: Looking at Greek and Roman Art from Behind(s)
A few weeks ago, I began to ponder the ways in which Greek and Roman art is presented within the modern museum context--and to ruminate on whether we put a bit too much emphasis on the perceived front of a piece of art rather than the side or back of it. This led to a... Continue Reading →
The Color of the Other: Importing Multi-colored Marble and Roman Constructions of the “Barbarian”
This week over at Hyperallergic, Sean Burrus and I published a co-written article on the use of variegated marbles (which have particolored and mottled veins that give it color) in order to orientalize and illustrate Roman ideas of the "barbarian." As per usual, I like to take to my own blog to discuss new essays, since it is... Continue Reading →
Before MAGA: Mithras, Phrygian Caps, and the Politics of Headwear
My latest piece for Hyperallergic addresses the long history of red caps as symbols of politics, ethnicity, and identity. From Mithras to the Smurfs, there is a rich history of using identifying hats. This article was also an opportunity for me to post some photos of Mithras I have taken over the years--and to include a few... Continue Reading →
To The Black Sea And Back: The Late Antique Dura-Europos ‘Shield’ Map
Dura-Europos is an ancient site on the Euphrates river in modern-day Syria. The objects excavated at the site by Yale University (later famously led by Mikhail Rostovtzeff), and the French Academy of Inscriptions and Letters during the 1920s and 1930s provide some of the most vivid wall paintings, mosaics, and material culture from the ancient world... Continue Reading →
The Argument Made By The Absence: On Whiteness, Polychromy, And Diversity In Classics
It has been a few days since I published a piece on my Forbes blog regarding the perception of whiteness and statues in antiquity. I knew when I started taking notes on the subject of polychromy many months ago that this column would likely cause a stir within the field, among colleagues, and online. I had... Continue Reading →
What Not To Wear: A Short History Of Regulating Female Dress From Ancient Sparta To The Burkini
Over on the Forbes blog, I talk about the history of dress codes for women. As anyone who reads this blog knows, I think a lot about clothing, color, and historical dress. This post is reacting to the recent burkini bans in towns along the French Riviera by mentioning the fact that Sparta, Rome, the... Continue Reading →