Sarah E. Bond

Art and Graphics

Pretty as a Pictor: Painters in the Roman Mediterranean

Art and Graphics, color, epigraphy, Labor and Work, reading, women
Following the Stylus Manual: Roman everyday writing equipment

Art and Graphics, digital humanities, open access, reading, text
A Red Letter Way: Color, Writing, and Reading in Antiquity and the Middle Ages

Art and Graphics, reading, text, Uncategorized
At the Copa: Women, Clothing, and Color Codes in Roman Taverns

ancient clothing, Art and Graphics, color, diversity, hyperallergic, Uncategorized, women
Ancient 3D Models Before Digital Modeling

Art and Graphics, digital humanities, hyperallergic, open access, The State of the Field, Uncategorized
What Are the Best Classics Books for Children?

Art and Graphics, bibliographies, open access, text
Consider the Anus Radish: Etymologies, Adultery, and the Defense of the Microhistory

Art and Graphics, open access, reading, text, The State of the Field, Uncategorized
Through the Eyes of Ruby: Discovering Color and Trade in ‘The World Between Empires’

Art and Graphics, color, digital humanities, diversity, hyperallergic, Uncategorized
Deus Ex Machina: Depicting Cranes and Pulleys in the Ancient World

Art and Graphics, hyperallergic, Labor and Work, Uncategorized
Signs of the Times: Ancient Symbols Reused by Hate Groups

Art and Graphics, diversity, hyperallergic, open access, The State of the Field, Uncategorized