Sarah E. Bond
Posts
Digital Projects
Curriculum Vitae
Pasts Imperfect
Strike
Facebook
X
Instagram
digital humanities
Introducing Pasts Imperfect: New Spaces for Public Scholarship
digital humanities
,
The State of the Field
,
Uncategorized
Following the Stylus Manual: Roman everyday writing equipment
Art and Graphics
,
digital humanities
,
open access
,
reading
,
text
Ancient 3D Models Before Digital Modeling
Art and Graphics
,
digital humanities
,
hyperallergic
,
open access
,
The State of the Field
,
Uncategorized
Working Together to Transcribe Ancient Documents During COVID-19
digital humanities
,
epigraphy
,
open access
,
reading
,
The State of the Field
In Libris Libertas: Open Access Monographs in Classics, Ancient History, Art History, and Archaeology
digital humanities
,
open access
,
reading
,
Uncategorized
Through the Eyes of Ruby: Discovering Color and Trade in ‘The World Between Empires’
Art and Graphics
,
color
,
digital humanities
,
diversity
,
hyperallergic
,
Uncategorized
Pro Publica: A Public Classics Workshop
digital humanities
,
hyperallergic
,
open access
,
The State of the Field
,
Uncategorized
Taking a Sapphic Stanza: Papyri, Digital Humanities, and Reclaiming the Work of Ancient Women
digital humanities
,
epigraphy
,
open access
,
Uncategorized
,
women
Redesigning WOAH: Women of Ancient History
digital humanities
,
diversity
,
open access
,
The State of the Field
,
Uncategorized
‘We Regret to Inform You’: Success, Failure, and the Shadow C.V.
digital humanities
,
open access
,
The State of the Field
,
Uncategorized
1
2
Next Page
Subscribe
Subscribed
Sarah E. Bond
Join 3,316 other subscribers
Sign me up
Already have a WordPress.com account?
Log in now.
Sarah E. Bond
Subscribe
Subscribed
Sign up
Log in
Report this content
View site in Reader
Manage subscriptions
Collapse this bar
Sarah E. Bond 