Sarah E. Bond

diversity

At the Copa: Women, Clothing, and Color Codes in Roman Taverns

ancient clothing, Art and Graphics, color, diversity, hyperallergic, Uncategorized, women
Through the Eyes of Ruby: Discovering Color and Trade in ‘The World Between Empires’

Art and Graphics, color, digital humanities, diversity, hyperallergic, Uncategorized
Building the Iron Gates of Alexander: The Migrant Caravan & Geographies of Fear

diversity, Eurasian Manuscripts, hyperallergic, maps, reading, Uncategorized
Signs of the Times: Ancient Symbols Reused by Hate Groups

Art and Graphics, diversity, hyperallergic, open access, The State of the Field, Uncategorized
Redesigning WOAH: Women of Ancient History

digital humanities, diversity, open access, The State of the Field, Uncategorized
The Color of the Other: Importing Multi-colored Marble and Roman Constructions of the “Barbarian”

Art and Graphics, color, diversity, hyperallergic, Uncategorized
Labeling Ancient and Modern Slavery within Museums

Art and Graphics, color, digital humanities, diversity, hyperallergic, Labor and Work, Uncategorized
Before MAGA: Mithras, Phrygian Caps, and the Politics of Headwear

ancient clothing, Art and Graphics, color, diversity, hyperallergic, Uncategorized, women
Teaching Ancient, Early Christian, And Medieval History in the Era of #MeToo: A Short Bibliography

bibliographies, diversity, open access, reading, The State of the Field, Uncategorized, women
Eating Nocturnal Fruits: A Round-Up Of My Favorite Ancient and Medieval Posts of 2017

Art and Graphics, color, diversity, epigraphy, food, Forbes, maps, open access, reading, text, The State of the Field, Uncategorized, women