Sarah E. Bond
Posts
Digital Projects
Curriculum Vitae
Pasts Imperfect
Strike
Facebook
X
Instagram
epigraphy
Pretty as a Pictor: Painters in the Roman Mediterranean
Art and Graphics
,
color
,
epigraphy
,
Labor and Work
,
reading
,
women
Working Together to Transcribe Ancient Documents During COVID-19
digital humanities
,
epigraphy
,
open access
,
reading
,
The State of the Field
The Jewish Colosseum: Revising the Memory of Rome’s Flavian Amphitheater
epigraphy
,
Labor and Work
,
Uncategorized
Taking a Sapphic Stanza: Papyri, Digital Humanities, and Reclaiming the Work of Ancient Women
digital humanities
,
epigraphy
,
open access
,
Uncategorized
,
women
Anno Domini: Computational Analysis, Antisemitism, and the Early Christian Debate Over Easter
Art and Graphics
,
epigraphy
,
reading
,
text
,
Uncategorized
Replacing the Squeeze? Teaching Classical Epigraphy With 3D Models
epigraphy
,
open access
,
reading
,
text
,
The State of the Field
,
Uncategorized
Eating Nocturnal Fruits: A Round-Up Of My Favorite Ancient and Medieval Posts of 2017
Art and Graphics
,
color
,
diversity
,
epigraphy
,
food
,
Forbes
,
maps
,
open access
,
reading
,
text
,
The State of the Field
,
Uncategorized
,
women
From Dissertation to Book: A Few Things I Learned Over the Past 10 Years
ancient clothing
,
epigraphy
,
Labor and Work
,
text
,
The State of the Field
,
Uncategorized
‘Bind His Hands’: Curse Tablets and Charioteer Magic in Ancient Sports
Art and Graphics
,
epigraphy
,
Forbes
,
reading
,
text
,
Uncategorized
Tattoo Taboo? Exploring The History Of Religious Ink And Facial Tattoos
Art and Graphics
,
color
,
epigraphy
,
Forbes
,
text
,
Uncategorized
1
2
Next Page
Subscribe
Subscribed
Sarah E. Bond
Join 3,316 other subscribers
Sign me up
Already have a WordPress.com account?
Log in now.
Sarah E. Bond
Subscribe
Subscribed
Sign up
Log in
Report this content
View site in Reader
Manage subscriptions
Collapse this bar
Sarah E. Bond 