Sarah E. Bond

Labor and Work

Teaching Gladiators, Slavery, and the Lure of the Arena

Labor and Work, The State of the Field
Pretty as a Pictor: Painters in the Roman Mediterranean

Art and Graphics, color, epigraphy, Labor and Work, reading, women
The Jewish Colosseum: Revising the Memory of Rome’s Flavian Amphitheater

epigraphy, Labor and Work, Uncategorized
Deus Ex Machina: Depicting Cranes and Pulleys in the Ancient World

Art and Graphics, hyperallergic, Labor and Work, Uncategorized
Labeling Ancient and Modern Slavery within Museums

Art and Graphics, color, digital humanities, diversity, hyperallergic, Labor and Work, Uncategorized
Purple, Indigo, And The Slave Labor That Produced Expensive Dyes

ancient clothing, Art and Graphics, color, Labor and Work, slavery, Uncategorized
Pass the Dormice: Breeding, Selling, And Eating Honeyed Dormice in Antiquity

food, Labor and Work, open access, Uncategorized
From Dissertation to Book: A Few Things I Learned Over the Past 10 Years

ancient clothing, epigraphy, Labor and Work, text, The State of the Field, Uncategorized
‘Pass Me A Cold One’: A Short History Of Refrigerating Wine And Beer

Forbes, Labor and Work, Uncategorized
Monumental Mausolea: Building Projects and Slave Labor from Antiquity to the World Cup

Labor and Work, Uncategorized