Sarah E. Bond

Sarah E. Bond

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open access

  • Following the Stylus Manual: Roman everyday writing equipment

    Following the Stylus Manual: Roman everyday writing equipment

    Art and Graphics, digital humanities, open access, reading, text
  • Nefertiti and Digital Colonialism: A Short Bibliography

    Nefertiti and Digital Colonialism: A Short Bibliography

    hyperallergic, law, open access, The State of the Field, Uncategorized
  • Ancient 3D Models Before Digital Modeling

    Ancient 3D Models Before Digital Modeling

    Art and Graphics, digital humanities, hyperallergic, open access, The State of the Field, Uncategorized
  • What Are the Best Classics Books for Children?

    What Are the Best Classics Books for Children?

    Art and Graphics, bibliographies, open access, text
  • Working Together to Transcribe Ancient Documents During COVID-19

    Working Together to Transcribe Ancient Documents During COVID-19

    digital humanities, epigraphy, open access, reading, The State of the Field
  • In Libris Libertas: Open Access Monographs in Classics, Ancient History, Art History, and Archaeology

    In Libris Libertas: Open Access Monographs in Classics, Ancient History, Art History, and Archaeology

    digital humanities, open access, reading, Uncategorized
  • Consider the Anus Radish: Etymologies, Adultery, and the Defense of the Microhistory

    Consider the Anus Radish: Etymologies, Adultery, and the Defense of the Microhistory

    Art and Graphics, open access, reading, text, The State of the Field, Uncategorized
  • Pro Publica: A Public Classics Workshop

    Pro Publica: A Public Classics Workshop

    digital humanities, hyperallergic, open access, The State of the Field, Uncategorized
  • Book Review: Not All Dead White Men

    Book Review: Not All Dead White Men

    open access, reading, The State of the Field, Uncategorized, women
  • Taking a Sapphic Stanza: Papyri, Digital Humanities, and Reclaiming the Work of Ancient Women

    Taking a Sapphic Stanza: Papyri, Digital Humanities, and Reclaiming the Work of Ancient Women

    digital humanities, epigraphy, open access, Uncategorized, women
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Sarah E. Bond

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