Sarah E. Bond

women

Pretty as a Pictor: Painters in the Roman Mediterranean

Art and Graphics, color, epigraphy, Labor and Work, reading, women
At the Copa: Women, Clothing, and Color Codes in Roman Taverns

ancient clothing, Art and Graphics, color, diversity, hyperallergic, Uncategorized, women
My Statement on the ‘Future of Classics’ Panel and the Aftermath

The State of the Field, Uncategorized, women
Book Review: Not All Dead White Men

open access, reading, The State of the Field, Uncategorized, women
Taking a Sapphic Stanza: Papyri, Digital Humanities, and Reclaiming the Work of Ancient Women

digital humanities, epigraphy, open access, Uncategorized, women
A Reversed Perspective: Looking at Greek and Roman Art from Behind(s)

ancient clothing, Art and Graphics, color, digital humanities, The State of the Field, Uncategorized, women
Before MAGA: Mithras, Phrygian Caps, and the Politics of Headwear

ancient clothing, Art and Graphics, color, diversity, hyperallergic, Uncategorized, women
Teaching Ancient, Early Christian, And Medieval History in the Era of #MeToo: A Short Bibliography

bibliographies, diversity, open access, reading, The State of the Field, Uncategorized, women
Yes, Women Do Study Military History

open access, The State of the Field, Uncategorized, women
Eating Nocturnal Fruits: A Round-Up Of My Favorite Ancient and Medieval Posts of 2017

Art and Graphics, color, diversity, epigraphy, food, Forbes, maps, open access, reading, text, The State of the Field, Uncategorized, women