Sarah E. Bond

Sarah E. Bond

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Greek

  • A Reversed Perspective: Looking at Greek and Roman Art from Behind(s)

    A Reversed Perspective: Looking at Greek and Roman Art from Behind(s)

    ancient clothing, Art and Graphics, color, digital humanities, The State of the Field, Uncategorized, women
  • The Argument Made By The Absence: On Whiteness, Polychromy, And Diversity In Classics

    The Argument Made By The Absence: On Whiteness, Polychromy, And Diversity In Classics

    Art and Graphics, color, diversity, Uncategorized
  • ‘Pie Zeses’: Toasting To A New Year

    ‘Pie Zeses’: Toasting To A New Year

    food, Forbes, Uncategorized, women
  • ‘Bind His Hands’: Curse Tablets and Charioteer Magic in Ancient Sports

    ‘Bind His Hands’: Curse Tablets and Charioteer Magic in Ancient Sports

    Art and Graphics, epigraphy, Forbes, reading, text, Uncategorized
  • What Not To Wear: A Short History Of Regulating Female Dress From Ancient Sparta To The Burkini

    What Not To Wear: A Short History Of Regulating Female Dress From Ancient Sparta To The Burkini

    ancient clothing, Art and Graphics, color, The State of the Field, Uncategorized
  • What Rep. Steve King Gets Wrong About The Dark Ages — And Western Civilization

    What Rep. Steve King Gets Wrong About The Dark Ages — And Western Civilization

    Forbes, The State of the Field, Uncategorized
  • I Wear My Sunglasses at the Fight? The Emperor Nero and the History of Sunglasses

    I Wear My Sunglasses at the Fight? The Emperor Nero and the History of Sunglasses

    Art and Graphics, color, reading, text, Uncategorized
  • ‘Can I Get Your Autograph?’: A Short History of Signature Collecting

    ‘Can I Get Your Autograph?’: A Short History of Signature Collecting

    epigraphy, reading, text, Uncategorized
  • Hail, Caesar: A Classicist’s Movie Review

    Hail, Caesar: A Classicist’s Movie Review

    Uncategorized
  • Using Graphic Language: A Short History of Figure Poems

    Using Graphic Language: A Short History of Figure Poems

    Art and Graphics, epigraphy, text, Uncategorized
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Sarah E. Bond

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