Sarah E. Bond
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Digital Projects
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Pasts Imperfect
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Teaching Gladiators, Slavery, and the Lure of the Arena
Labor and Work
,
The State of the Field
The Color of the Other: Importing Multi-colored Marble and Roman Constructions of the “Barbarian”
Art and Graphics
,
color
,
diversity
,
hyperallergic
,
Uncategorized
Labeling Ancient and Modern Slavery within Museums
Art and Graphics
,
color
,
digital humanities
,
diversity
,
hyperallergic
,
Labor and Work
,
Uncategorized
Eating Nocturnal Fruits: A Round-Up Of My Favorite Ancient and Medieval Posts of 2017
Art and Graphics
,
color
,
diversity
,
epigraphy
,
food
,
Forbes
,
maps
,
open access
,
reading
,
text
,
The State of the Field
,
Uncategorized
,
women
The Argument Made By The Absence: On Whiteness, Polychromy, And Diversity In Classics
Art and Graphics
,
color
,
diversity
,
Uncategorized
Modeling the Tincu House: A New 3D Model from Roman Gabii
Forbes
,
open access
,
text
,
The State of the Field
,
Uncategorized
A Short History of Demons, Exorcism, And Possessed Women
Forbes
,
Uncategorized
‘Bind His Hands’: Curse Tablets and Charioteer Magic in Ancient Sports
Art and Graphics
,
epigraphy
,
Forbes
,
reading
,
text
,
Uncategorized
What Not To Wear: A Short History Of Regulating Female Dress From Ancient Sparta To The Burkini
ancient clothing
,
Art and Graphics
,
color
,
The State of the Field
,
Uncategorized
‘Pass Me A Cold One’: A Short History Of Refrigerating Wine And Beer
Forbes
,
Labor and Work
,
Uncategorized
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Sarah E. Bond 