Sarah E. Bond

color

Pretty as a Pictor: Painters in the Roman Mediterranean

Art and Graphics, color, epigraphy, Labor and Work, reading, women
At the Copa: Women, Clothing, and Color Codes in Roman Taverns

ancient clothing, Art and Graphics, color, diversity, hyperallergic, Uncategorized, women
Through the Eyes of Ruby: Discovering Color and Trade in ‘The World Between Empires’

Art and Graphics, color, digital humanities, diversity, hyperallergic, Uncategorized
A Reversed Perspective: Looking at Greek and Roman Art from Behind(s)

ancient clothing, Art and Graphics, color, digital humanities, The State of the Field, Uncategorized, women
The Color of the Other: Importing Multi-colored Marble and Roman Constructions of the “Barbarian”

Art and Graphics, color, diversity, hyperallergic, Uncategorized
Labeling Ancient and Modern Slavery within Museums

Art and Graphics, color, digital humanities, diversity, hyperallergic, Labor and Work, Uncategorized
Before MAGA: Mithras, Phrygian Caps, and the Politics of Headwear

ancient clothing, Art and Graphics, color, diversity, hyperallergic, Uncategorized, women
How Can Libraries and Digital Humanities Spaces Co-Exist?

Art and Graphics, color, reading, text, Uncategorized
Eating Nocturnal Fruits: A Round-Up Of My Favorite Ancient and Medieval Posts of 2017

Art and Graphics, color, diversity, epigraphy, food, Forbes, maps, open access, reading, text, The State of the Field, Uncategorized, women
Purple, Indigo, And The Slave Labor That Produced Expensive Dyes

ancient clothing, Art and Graphics, color, Labor and Work, slavery, Uncategorized