Sarah E. Bond
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hyperallergic
Nefertiti and Digital Colonialism: A Short Bibliography
hyperallergic
,
law
,
open access
,
The State of the Field
,
Uncategorized
At the Copa: Women, Clothing, and Color Codes in Roman Taverns
ancient clothing
,
Art and Graphics
,
color
,
diversity
,
hyperallergic
,
Uncategorized
,
women
Ancient 3D Models Before Digital Modeling
Art and Graphics
,
digital humanities
,
hyperallergic
,
open access
,
The State of the Field
,
Uncategorized
Through the Eyes of Ruby: Discovering Color and Trade in ‘The World Between Empires’
Art and Graphics
,
color
,
digital humanities
,
diversity
,
hyperallergic
,
Uncategorized
Pro Publica: A Public Classics Workshop
digital humanities
,
hyperallergic
,
open access
,
The State of the Field
,
Uncategorized
Deus Ex Machina: Depicting Cranes and Pulleys in the Ancient World
Art and Graphics
,
hyperallergic
,
Labor and Work
,
Uncategorized
Building the Iron Gates of Alexander: The Migrant Caravan & Geographies of Fear
diversity
,
Eurasian Manuscripts
,
hyperallergic
,
maps
,
reading
,
Uncategorized
Signs of the Times: Ancient Symbols Reused by Hate Groups
Art and Graphics
,
diversity
,
hyperallergic
,
open access
,
The State of the Field
,
Uncategorized
The Color of the Other: Importing Multi-colored Marble and Roman Constructions of the “Barbarian”
Art and Graphics
,
color
,
diversity
,
hyperallergic
,
Uncategorized
The Gospel of Unicode: Digital Love Letter(s) and Art Through Numbers
Art and Graphics
,
digital humanities
,
hyperallergic
,
text
,
The State of the Field
,
Uncategorized
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Sarah E. Bond 