Sarah E. Bond
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Digital Projects
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Pasts Imperfect
Strike
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The State of the Field
Teaching Gladiators, Slavery, and the Lure of the Arena
Labor and Work
,
The State of the Field
Introducing Pasts Imperfect: New Spaces for Public Scholarship
digital humanities
,
The State of the Field
,
Uncategorized
Nefertiti and Digital Colonialism: A Short Bibliography
hyperallergic
,
law
,
open access
,
The State of the Field
,
Uncategorized
Ancient 3D Models Before Digital Modeling
Art and Graphics
,
digital humanities
,
hyperallergic
,
open access
,
The State of the Field
,
Uncategorized
Working Together to Transcribe Ancient Documents During COVID-19
digital humanities
,
epigraphy
,
open access
,
reading
,
The State of the Field
Consider the Anus Radish: Etymologies, Adultery, and the Defense of the Microhistory
Art and Graphics
,
open access
,
reading
,
text
,
The State of the Field
,
Uncategorized
Pro Publica: A Public Classics Workshop
digital humanities
,
hyperallergic
,
open access
,
The State of the Field
,
Uncategorized
My Statement on the ‘Future of Classics’ Panel and the Aftermath
The State of the Field
,
Uncategorized
,
women
Reacting to the Racist Events At the SCS-AIA Annual Meeting in San Diego: A Roundup
The State of the Field
Book Review: Not All Dead White Men
open access
,
reading
,
The State of the Field
,
Uncategorized
,
women
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