Sarah E. Bond

digital humanities

Working Together to Transcribe Ancient Documents During COVID-19

digital humanities, epigraphy, open access, reading, The State of the Field
In Libris Libertas: Open Access Monographs in Classics, Ancient History, Art History, and Archaeology

digital humanities, open access, reading, Uncategorized
The Jewish Colosseum: Revising the Memory of Rome’s Flavian Amphitheater

epigraphy, Labor and Work, Uncategorized
Taking a Sapphic Stanza: Papyri, Digital Humanities, and Reclaiming the Work of Ancient Women

digital humanities, epigraphy, open access, Uncategorized, women
Redesigning WOAH: Women of Ancient History

digital humanities, diversity, open access, The State of the Field, Uncategorized
A Reversed Perspective: Looking at Greek and Roman Art from Behind(s)

ancient clothing, Art and Graphics, color, digital humanities, The State of the Field, Uncategorized, women
Digitization ≠ Repatriation: When Digital Humanities Provides Access But Not Restitution

Art and Graphics, digital humanities, open access, reading, Uncategorized
The Gospel of Unicode: Digital Love Letter(s) and Art Through Numbers

Art and Graphics, digital humanities, hyperallergic, text, The State of the Field, Uncategorized
Labeling Ancient and Modern Slavery within Museums

Art and Graphics, color, digital humanities, diversity, hyperallergic, Labor and Work, Uncategorized
How Can Libraries and Digital Humanities Spaces Co-Exist?

Art and Graphics, color, reading, text, Uncategorized