Sarah E. Bond

Sarah E. Bond

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epigraphy

  • Strike: Labor, Unions, and Resistance in the Roman Empire

    Strike: Labor, Unions, and Resistance in the Roman Empire

    Uncategorized
  • Following the Stylus Manual: Roman everyday writing equipment

    Following the Stylus Manual: Roman everyday writing equipment

    Art and Graphics, digital humanities, open access, reading, text
  • Working Together to Transcribe Ancient Documents During COVID-19

    Working Together to Transcribe Ancient Documents During COVID-19

    digital humanities, epigraphy, open access, reading, The State of the Field
  • Replacing the Squeeze? Teaching Classical Epigraphy With 3D Models

    Replacing the Squeeze? Teaching Classical Epigraphy With 3D Models

    epigraphy, open access, reading, text, The State of the Field, Uncategorized
  • ‘Pie Zeses’: Toasting To A New Year

    ‘Pie Zeses’: Toasting To A New Year

    food, Forbes, Uncategorized, women
  • ‘Bind His Hands’: Curse Tablets and Charioteer Magic in Ancient Sports

    ‘Bind His Hands’: Curse Tablets and Charioteer Magic in Ancient Sports

    Art and Graphics, epigraphy, Forbes, reading, text, Uncategorized
  • Tattoo Taboo? Exploring The History Of Religious Ink And Facial Tattoos

    Tattoo Taboo? Exploring The History Of Religious Ink And Facial Tattoos

    Art and Graphics, color, epigraphy, Forbes, text, Uncategorized
  • ‘Can I Get Your Autograph?’: A Short History of Signature Collecting

    ‘Can I Get Your Autograph?’: A Short History of Signature Collecting

    epigraphy, reading, text, Uncategorized
  • Times New Roman: Classical Inscriptions, Epigraphy Hunters, and Renaissance Fonts

    Times New Roman: Classical Inscriptions, Epigraphy Hunters, and Renaissance Fonts

    Art and Graphics, epigraphy, reading, text, Uncategorized
  • Amo, Amas, Amat: Greco-Roman School Exercises

    Amo, Amas, Amat: Greco-Roman School Exercises

    text, Uncategorized
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Sarah E. Bond

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