Sarah E. Bond

Sarah E. Bond

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Uncategorized

  • Monumental Mausolea: Building Projects and Slave Labor from Antiquity to the World Cup

    Monumental Mausolea: Building Projects and Slave Labor from Antiquity to the World Cup

    Labor and Work, Uncategorized
  • Writing Revelation: Game of Thrones, Greco-Roman Oracles, and the Epigraphy of Divination

    Writing Revelation: Game of Thrones, Greco-Roman Oracles, and the Epigraphy of Divination

    Uncategorized
  • ‘Can I Get Your Autograph?’: A Short History of Signature Collecting

    ‘Can I Get Your Autograph?’: A Short History of Signature Collecting

    epigraphy, reading, text, Uncategorized
  • Sacrificial Lambs: Livestock, Book Costs, and the Premodern Parchment Trade

    Sacrificial Lambs: Livestock, Book Costs, and the Premodern Parchment Trade

    Art and Graphics, color, Hides, reading, text, Uncategorized
  • G.I. Jones: Classical Archaeology, Military Balloons, and Early Aerial Photography

    G.I. Jones: Classical Archaeology, Military Balloons, and Early Aerial Photography

    maps, Uncategorized
  • Times New Roman: Classical Inscriptions, Epigraphy Hunters, and Renaissance Fonts

    Times New Roman: Classical Inscriptions, Epigraphy Hunters, and Renaissance Fonts

    Art and Graphics, epigraphy, reading, text, Uncategorized
  • Creating A Public Space: Open Access, Book Theft, and the Epigraphy of Ancient Libraries

    Creating A Public Space: Open Access, Book Theft, and the Epigraphy of Ancient Libraries

    epigraphy, reading, text, The State of the Field, Uncategorized
  • Amo, Amas, Amat: Greco-Roman School Exercises

    Amo, Amas, Amat: Greco-Roman School Exercises

    text, Uncategorized
  • Libellus Behavior: Papyri, Valentines, and 3D Printing

    Libellus Behavior: Papyri, Valentines, and 3D Printing

    Art and Graphics, color, Uncategorized
  • Hail, Caesar: A Classicist’s Movie Review

    Hail, Caesar: A Classicist’s Movie Review

    Uncategorized
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Sarah E. Bond

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